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Original Title: Γοργίας
ISBN: 0140449043 (ISBN13: 9780140449044)
Edition Language: English URL http://en.wikipedia.org/wiki/Plato
Characters: Gorgias, Polus, Callicles
Setting: Greece
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Gorgias Paperback | Pages: 208 pages
Rating: 3.95 | 9478 Users | 309 Reviews

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Taking the form of a dialogue between Socrates, Gorgias, Polus and Callicles, GORGIAS debates perennial questions about the nature of government and those who aspire to public office.
Are high moral standards essential or should we give our preference to the pragmatist who gets things done or negotiates successfully? Should individuals be motivated by a desire for personal power and prestige, or genuine concern for the moral betterment of the citizens?
These questions go to the heart of Athenian democratic principles and are more relevant than ever in today's political climate.

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Title:Gorgias
Author:Plato
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 208 pages
Published:January 29th 2004 by Penguin Classics (first published -380)
Categories:Philosophy. Classics. Nonfiction. Politics. Literature. Ancient. History. Cultural. Greece

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Ratings: 3.95 From 9478 Users | 309 Reviews

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The Greek edition with commentaries by E. R. Dodds is the must-have for any student of Plato who would like to take the dialogue to the sheer extreme, even though you are just a dilettante of the Attic Greek language.

Besides the philosophy, which has been much discussed, I also found interesting Socrates's unusual tone in this dialogue. He is much fiercer and more opinionated than in others, and the whole discussion itself seems more like a heated argument than the typical philosophical debate. Callicles even goes as far as to say Socrates is on the level of an annoying child for studying philosophy at his age.

First time reading something for a university discussion! (Meaning my first university discussion, not my first time reading something for that purpose💁)

Gorgias is another Sophist (after Protagoras) with who Socrates interacts along with Callicles. The dialogue is interesting in its premise: Plato essentially says that morality is greatly tied with afterlife - a reward for being 'good' in this life. This is essentially the root of the argument or what Socrates tries to qualify it as one while Callicles comes after him viciously.While Protagoras retires from the argument (which goes nowhere), Gorgias simply doesn't participate. Gorgias being the

From the Introduction by Chris Emlyn-Jones:p. xxvii - "For Plato's Socrates, oratory is not an art, since, by his own admission, Gorgias does not aim to produce knowledge of right and wrong, but only to persuade - to produce conviction. Instead of aiming at making people better (he cannot, because his art does not include knowledge of right and wrong), he panders to their desires, like a confectioner tempting children. If you engage in pandering you do not have to know what people really need;

Gorgias is structured in three sections, each section consists of a dialectic argument in dramatic form. The main focus is rhetoric and its uses. What is rhetoric? Is the purpose of rhetoric to win an argument or get to the 'truth'? Historical context: The 5th century saw the spread of Sophistry and the professional use of rhetoric. Law courts were public occasions, Sophists went around giving lessons in law court rhetoric with an end to instructing others on how to get power and hold onto it.

This is one of Plato's more interesting dialogues, if only because in this case the dialogue breaks down. Callicles just cannot seem to accept Socrates's notion that it is better to have evil done to oneself than to commit evil. He agrees with the questions which are put to him, but then he keeps going back to the notion that hedonism is really preferable to morality.Socrates even looks forward to his own trial and death. At one point, he says:You've already told me often enough that anyone who
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